THE KINGDOM OF YUGOSLAVIA AT THE VENICE BIENNALE IN 1938 AND 1940

Authors

  • Ana Bogdanović Faculty of Philisophy, University of Belgrade Author

Keywords:

Pavilion of Yugoslavia, Milan Kašanin, Venice Biennale, modern Yugoslav art, cultural politics, Italy-Yugoslavia relations

Abstract

The paper discusses diplomatic and cultural political conditions for inauguration of the Pavilion of Yugoslavia at the Venice Biennale in 1938. The first and second official participation of the Kingdom of Yugoslavia in this international art event (in 1938 and 1940) is analyzed within the context of re-established political relations between Italy and Yugoslavia, as well as according to the exhibition concept laid out by Milan Kašanin, the commissioner of both exhibitions. Particular consideration is given to the exhibition as a field of political dialogue and as the space for articulation of the Yugoslav ideology in the international context.

Downloads

Download data is not yet available.

Downloads

Published

2015-01-31

Issue

Vol. 11 No. 1 (2015): THE JOURNAL OF MODERN ART HISTORY DEPARTMENT FACULTY OF PHILOSOPHY UNIVERSITY OF BELGRADE

Section

CONTRIBUTIONS

License

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

How to Cite

THE KINGDOM OF YUGOSLAVIA AT THE VENICE BIENNALE IN 1938 AND 1940. (2015). THE JOURNAL OF MODERN ART HISTORY DEPARTMENT FACULTY OF PHILOSOPHY UNIVERSITY OF BELGRADE, 11(1), 23-33. http://zsmu.org/index.php/zsmu/article/view/154

Most read articles by the same author(s)