SYNONYMS AND HOMONYMS JOVAN KRŠIĆ’S CRITICAL REVIEW OF THE AUTUMN EXHIBITION OF CROATIAN ARTISTS IN 1937
Keywords:
Pregled, Masaryk, synonyms, homonyms, Becić, Babić, Yugoslavism, CroatiaAbstract
When Jovan Kršić, the editor-in-chief of Sarajevo’s magazine Pregled, had been confronting by the social crisis at the end of the 1930s, he decided to abandon the previous model of pro-Yugoslav politics. Deeply entrenched inside the republican worldview, he insisted on realism and palpable experience of peasantry life instead of the previous conservative mythization of the Bosnian heroic past and its moral superiority. To be synchronized with the main politics questions, Kršić carefully chose the Croatian painter Vladimir Becić to represent the shift of paradigme. Closely conected with the local experience, with the ethnicaly different parts of the Kingdom of Yugoslavia treated inside the same experience platform, Becić’s poetics by the Kršić’s view represented the highest point in searching for the optimal synonim between the words of Croatia and Yugoslavia. But, it was the short-term option because of the grave consequences of the Munich agreement and the expansion of the local nationalistic particularism and extremist policy.
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