COMMERCIAL DESIGN OF DUŠAN JANKOVIĆ DURING THE GREAT DEPRESSION
Keywords:
Dušan Janković, commercial design, poster, art deco, Paris, BelgradeAbstract
The Great Depression, which broke out in 1929, was devastating also for all artistic professions. However, while looking for ways to reach as wide a circle of consumers as possible, commercial design was booming. This trend influenced Dušan Janković (1894–1950), a decorative painter living in Paris (1916–1935), to intensify his work on shaping advertising messages. At the beginning of his career he collaborated with the Riven agency (Publicité Riven) performing blueprints for newspaper advertisements and posters. During the great crisis, the assortment of goods that Janković worked on increased. His achievements were shown in London in 1931 at the exhibition of the agency of which he was an associate at the time. He had less success in public competitions. In 1932, Janković got the opportunity to design and equip a villa in Saint-Cloud, and dealing with commercial design has become, for the most part, a thing of the past. By respecting the requirements of this creative discipline, he achieved an authentic expression based on the synthesis of generally accepted visual language and a delicately modernized folklore tradition of the environment from which he came.
Downloads
References
Anonim. „Umetnost reklame.“ Ilustrovani list, 8. 9. 1929. Аноним. „Рекламне плакате за цигарете.“ Политика, 22. 1. 1932. Baudot, François. Jean-Michel Frank. Paris: Editions Assouline, 1998. Bayer, Patricia. Art Deco. Source Book. London 1997. Драговић, Вук. „Душан Јанковић.“ Политика, 27. 11. 1931.
Frantz Kery, Patricia. Art Deco Graphics. London: Thames and Hudson, 1986.
Gajer, Jasna. „Plakati za zagrebački zbor.“ Rad Instituta povijesti umjetnosti 28 (2004): 336–347.
Heller, Steven and Louise Fili. Euro Deco.Graphic Design Between the Wars. San Francisco: Chronicle Books, 2004.
Караулић, Јована. „Соколски слетови у Краљевини Југославији на примеру свесоколског слета у Београду 1930.“ у Ко је Соко тај је Југословен, ур. Веселинка Кастратовић Ристић, 81–90. Београд: Музеј историје Југославије, 2016.
Koščević, Želimir. „The Poster in Yugoslavia.“ The Journal of Decorative and Propaganda Arts 10 (1988): 54–61.
Поповић, Бојана. „Керамика и порцелан Душана Јанковића.“ Зборник Музеја примeњене уметности н. с. 4–5 (2008–2009): 125–143.
Popović, Bojana. Primenjena umetnost i Beograd 1918–1941. Beograd: Muzej primenjene umetnosti, 2011.
Поповић, Бојана. „Душан Јанковић и мода.“ Зборник Народног музеја XX/2, (2012): 453–478.
Поповић, Бојана. „Душан Јанковић на балу уметника Хиљаду и друга ноћ у Београду 1923. године.“ Годишњак града Београда LXV (2018): 125–145.
Raizman, David. History of Modern Design. Graphics and Products since the Industrial Revolution. London: Lurence King Publishing, 2003.
Roque, Georges. “The Surrealist (Sub-)version of Advertising, Surreal Things.” u Surrealism and Design, Ed. by Ghislaine Wood. London: V&A Publications, 2007.
Rozić, Vladimir. Dušan Janković. Život i delo 1894–1950. Beograd: Muzej primenjene umetnosti, 1987.
Selesković, Momčilo. „Povodom pete jugoslovenske izložbe.“ Republika, 13. 7. 1922.
Downloads
Published
Issue
Section
License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.