SELF-REPRESENTATION AS “SELF-DIVESTMENT”? EPIGONISM AND SINGULARITY IN VETTOR PISANI’S THE CHAMBER HERO AT DOCUMENTA 5 (1972). THE JOURNAL OF MODERN ART HISTORY DEPARTMENT FACULTY OF PHILOSOPHY UNIVERSITY OF BELGRADE, [S. l.], v. 11, n. 1, p. 95–110, 2015. Disponível em: http://zsmu.org/index.php/zsmu/article/view/159. Acesso em: 21 apr. 2026.