TIPOLOŠKE PREDSTAVE ŽENA U NOVOJ OBJEKTIVNOSTI I NJIHOVA (RE)INTERPRETACIJA U SERIJI VAVILON BERLIN
DOI:
https://doi.org/10.18485/f_zsmu.2024.20.8Ključne reči:
Nova objektivnost, Vavilon Berlin, Nova žena, seksualna radnica, majka, plesačica, kvir žena, rodna performativnost, Vajmarska RepublikaApstrakt
Tema rada obuhvata određivanje tipologije žena Vajmarske Republike u delima nove objektivnosti, kao i analizu i tumačenje dela umetnica i umetnika koji su u tom periodu stvarali. Glavni motiv rada jesu upotreba navedenih dela kao vizuelni uzor za seriju Vavilon Berlin i pitanja koja se odnose na predstave žena u dva različita medija. Obuhvatajući likove: seksualne radnice, majke, plesačice, Nove žene i kvir žene, analiziraćemo zahteve koji su bili nametnuti ženama u datom periodu. U radu ćemo se osvrnuti na istorijsku ulogu žene u Vajmarskoj Republici, kao i na brojne turbulencije koje su je pratile u borbi za emancipaciju. Ona je kao socijalni akter ključna za razumevanje života u Vajmarskoj Republici. Kao figura oko koje su se vodile žustre debate, koja je pokrivala i ulogu najsvetije majke, najgrešnije prostitutke, i lice budućnosti u vidu Nove žene, skoro svaki aspekat savremenog života, od kuće do javne regulacije, zavisio je od rodnih ograničenja, prihvatljivosti ili neprihvatljivosti jedne žene.
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