TIŠINA SLIKE, BUKA POGLEDA, POSTANTROPOCENTRIČNI SENZORIJUM
DOI:
https://doi.org/10.18485/f_zsmu.2024.20.9Ključne reči:
slika, digitalne tehnologije, dubina (perspektiva), ravnina (ekran), razmere, tišina, postantropocenApstrakt
Rad će analizirati projekat Vladimira Nikolića Hod sa vodom (2022) kao primer novomedijske umetničke prakse koji istražuje fundamentalna i konstitutivna pitanja slike i njenog odnosa prema realnosti u okvirima savremene digitalne i internet kulture i njima oblikovanih režima vizuelnog opažanja. Fokus će biti na pitanjima postupka, načina i metoda realizacije slike. Analiziraće se efekti i značenja odnosa optičkog doživljaja fizičke stvarnosti i neposrednog telesnog iskustva prostora, s jedne strane, i slike, kao ’duplikata’ tog doživljaja, s druge, te njihovih različitih materijalnosti, raskoraka između slike i realnosti koju slika zastupa/(teži da) prikazuje. Razmatraće se da li video-radovi u okviru ovog projekta takođe donose novu likovnost kakvu je moguće realizovati u okvirima digitalne tehnologije, ali pre svega da li postupci, metodi realizacije slike i sama slika govore u prilog artikulaciji jedne postantropocentrične kritičke pozicije i prevrednovanju korisnika slike u postantropocentričnog posmatrača i subjekta.
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