MARISOL ESCOBAR – A WOMAN BEHIND POP ART
Keywords:
Pop art, Marisol Escobar, art of the sixties, women pop artistsAbstract
The paper looks at the work of woman pop artist Marisol Escobar whose art has for many years been analyzed based on its “Otherness”, whether it was because of the fact that Marisol was a woman, her ethnic and exotic background, or the fact that her work was dismissed as child-like, primitive and folk art. The text also deals with the work of Marisol showing the American middle class women of the ‘60s, the position of the artist within the pop art movement; and the ways the press and the art critics dealt with Marisol’s public image and work.
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References
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Grove, Nancy. Magical Mixtures: Marisol Portrait Sculpture. Washington: Smithsonian Institution Press, 1991.
Heartney, Eleanor. Marisol. Purchase: Neuberger Museum of Art, 2001.
Lipard, Lusi. Pop art. Beograd: Izdavački zavod Jugoslavija, 1977.
Minioudaki, Kalliopi. “Other(s’) pop: the return of the repressed of two discourses.” In Power up: Female Pop Art, ed. Angela Stief, Köln: DuMont Buchverlag, 2010.
Minioudaki, Kalliopi. “Pop Proto-feminisms: Beyond the Paradox of the Woman Pop Artist.” in Seductive Subversion: Women Pop Artists 1958-1968, ed. S. Sachs and K. Minioudaki, New York: Abbeville Press, 2010.
Parker, Rozsika and Griselda Pollock,. Old Mistresses. London: Pandona, 1981.
Swarbrick, Katharine. “Gender Trouble? Body Trouble? Reinvestigating the Work of Marisol Escobar.” in NEO-AVANT-GARDE, ed. D. Hopkins, Amsterdam: Editions Rodopi BV, 2006.
Whiting, Cecile. A Taste for Pop: Pop Art, Gender and Consumer Culture. New York: Cambridge University Press, 1997.
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